Adriaen Isenbrant

J.-E. Weber;

His sale et al., Brussels, Fievez, 7–8 July 1926, lot 163, reproduced;

G. Nauwelaerts, Brussels, by 1930;

Dr Schönemann, Amsterdam, by 1936 (according to an annotation by Friedländer on the reverse of a photo, Friedländer Archive);

Consul Karl Erik Hedborg, Brussels, by 1949;

Thence by descent until sold London, Sotheby’s, 6 July 1988, lot 12;

With the Alexander Gallery, New York;

With Bob Haboldt, Paris and New York, 1991;

Anonymous sale, New York, Sotheby’s, 15 January 1993, lot 74;

Probably acquired shortly thereafter by the father of the present owners.

M.J. Friedländer, Early Netherlandish Painting, vol. XI, Leiden and Brussels 1974, p. 85, no. 163, reproduced plate 128 (as Isenbrandt);

J.C. Wilson, ‘Workshop patterns and the production of paintings in sixteenth century Bruges’, The Burlington Magazine, 132, 1990, pp. 523–27, reproduced fig. 3 (as attributed to Isenbrandt);

J.C. Wilson, Painting in Bruges at the close of the Middle Ages, Pennsylvania 1998, pp. 122, 223 n. 94, reproduced fig. 56 (as Adriaen Isenbrandt?);

T. Ketelsen, C. Brink and G. Walczak, Die Sammlungen der Hamburger Kunsthalle. Die Niederländischen Gemälde 1500–1800, Hamburg 2001, p. 140, under cat. no. 5231;

S. Urbach, Early Netherlandish Painting. Old Masters Gallery Catalogue. Szépmüvészeti Múzeum Budapest, London 2015, vol. I, p. 219, under cat. no. 18, reproduced fig. 18.11.